The John Kersey Foundation

Promoting liberty, creativity and spirituality

The John Kersey Foundation was established in 2008 by H.G. the Most Revd. John Kersey (Mar Joannes III), Metropolitan Primate of the Liberal Catholic Apostolic Church, award-winning concert pianist and radical educationalist. The aims of the Foundation are the promotion of liberty, creativity and spiritual awareness through the principal areas of religious, educational and musical activity. In each area, the Foundation is concerned with the preservation of particular aspects of the past as living traditions and thereby as enrichments to cultural diversity and discourse.

Navigation:

Philosophy:

"We cannot live for ourselves alone; indeed, we begin really to live only when we live for others - for the Whole. It is your privilege and mine to be co-workers with God in leading souls to a realisation of their Divine Kinship and Oneness with the Source of all"
- Harry Thomas Hamblin

"A life is either all spiritual or not spiritual at all. No man can serve two masters. Your life is shaped by the end you live for. You are made in the image of what you desire."
- Thomas Merton, OCSO

About the Foundation

The John Kersey Foundation is headquartered in London, England, under the direction of John Kersey with the assistance of specialist advisers. The aims of the Foundation are closely associated with the range of work in which John Kersey continues to be personally engaged, as well as having broader implications for partner institutions. The overall context of the work of the Foundation is explicitly spiritual, contextualising creativity and liberty as the outcome of the values of the Christian faith as understood by the esoteric movement. The Foundation's establishment is designed to ensure that these values enjoy the benefits of lasting encouragement and endowment.

The Foundation includes two main private collections of books and manuscripts. The first consists of scores of piano music of the nineteenth and to some extent the twentieth-century, concentrating on rare works and transcriptions. The second concerns the independent sacramental movement from the late nineteenth-century to the present day. The collections include both digitized and non-digitized items, the latter forming the majority.

In practical terms, the Foundation supports a number of organisations and projects as discussed in this website. At the present time, the Foundation does not consider external applications for funding.

The Foundation differs from many similar trusts and other organizations in that it is not a charity. Under English law, charities are prevented from adopting objectives that are explicitly political. The Foundation's work includes the support of political activities that are in line with its aims, specifically those which further the cause of liberty and social justice.

About John Kersey

In March 2008, John Kersey was elected Metropolitan Primate of the Liberal Catholic Apostolic Church under the religious title of His Grace Mar Joannes III. Consequently, he has overall responsibility for a church with clergy and communities in the United Kingdom and United States, as well as for its wider outreach through the Independent Liberal Catholic Fellowship. H.G. Mar Joannes III is 116th in direct Apostolic Succession from the Apostle St Thomas through the Chaldean Catholic line and 139th in direct Apostolic Succession from the Apostle St Peter through the Syrian-Orthodox Antiochian line. He is also in succession from the Apostles St James the Less and St Andrew.

In addition to his religious responsibilities, John Kersey is also an award-winning concert pianist and a radical educationalist.
>>Read more about John Kersey

News from the Foundation

News items can be found at the following locations:

>>News from the Liberal Catholic Apostolic Church
>>News from European-American University
>>Spiritual updates from the LCAC Society for Humanistic Potential

Current updates:
The première of John Kersey's new song-cycle Inscape to poems by Gerard Manley Hopkins took place on June 1 at St George's, Bloomsbury, and two further performances of the work are scheduled for the coming months.